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The Truth

The Truth
The Truth
The Truth
NOW AVAILABLE TO OWN OR VIEW ON DEMAND
The Truth poster
Excellent. An absolute masterwork. Wonderfully directed, Kore-eda tackles themes of parents and children that he’s explored throughout his career, transposing them to the seductively glamorous and well-heeled context of a show business family, using the idea of fiction – the fiction of filmmaking but also of celebrity narrative – to explore troubling questions around motherhood and career. Very intelligent… so deep with what it says about the roles we play. An extraordinarily insightful and generous film.
Jason Di Rosso
ABC RADIO NATIONAL/THE MIX
Very cleverly constructed. Kore-eda confronts memory, selfishness and long-simmering resentment between mother and child, but in quite a gentle way. It is actually a reflection of Deneuve, herself a grand diva of French cinema. And she is superb. The compassion of this Japanese master shines through. There’s so much to enjoy in this film.
Margaret Pomeranz
FOXTEL ARTS SCREEN
Works splendidly. A gentle film composed of many delights.
David Stratton
THE WEEKEND AUSTRALIAN
Glorious to watch. Warm, witty and emotionally perceptive.
Sarah Ward
CONCRETE PLAYGROUND
Director: Kore-eda Hirokazu
Cast: Catherine Deneuve, Juliette Binoche, Ethan Hawke, Ludivine Sagnier, Clémentine Grenier, Manon Clavel
Duration: 107mins
Country of Origin: France
PG
Mild themes, sexual references and coarse language
Excellent. An absolute masterwork. Wonderfully directed, Kore-eda tackles themes of parents and children that he’s explored throughout his career, transposing them to the seductively glamorous and well-heeled context of a show business family, using the idea of fiction – the fiction of filmmaking but also of celebrity narrative – to explore troubling questions around motherhood and career. Very intelligent… so deep with what it says about the roles we play. An extraordinarily insightful and generous film.
Jason Di Rosso
ABC RADIO NATIONAL/THE MIX
Very cleverly constructed. Kore-eda confronts memory, selfishness and long-simmering resentment between mother and child, but in quite a gentle way. It is actually a reflection of Deneuve, herself a grand diva of French cinema. And she is superb. The compassion of this Japanese master shines through. There’s so much to enjoy in this film.
Margaret Pomeranz
FOXTEL ARTS SCREEN
Works splendidly. A gentle film composed of many delights.
David Stratton
THE WEEKEND AUSTRALIAN
Glorious to watch. Warm, witty and emotionally perceptive.
Sarah Ward
CONCRETE PLAYGROUND

OPENING NIGHT GALA – 2019 VENICE INTERNATIONAL FILM FESTIVAL
SPECIAL PRESENTATION – 2019 TORONTO INTERNTATIONAL FILM FESTIVAL

After the global success of the Cannes Palme d’Or-winning Shoplifters, master auteur Kore-eda Hirokazu’s wry and charming new dramedy THE TRUTH pairs beloved Academy Award nominees Catherine Deneuve and Juliette Binoche for the first time, as a celebrated actress and her estranged daughter whose tentative reunion offers an opportunity to either repair or irrevocably fracture their relationship.

Fabienne (Deneuve) is a star; a much loved, larger-than-life icon of French cinema. When she publishes her memoirs, her screenwriter daughter Lumir (Binoche) returns to Paris from New York for the occasion, with her struggling actor husband Hank (Ethan Hawke) and their inquisitive young daughter Charlotte (Clémentine Grenier) in tow. It comes as no surprise to Lumir that everything in her grand childhood home still revolves around her mother, and as she begins to read Fabienne’s book it becomes clear it’s riddled with omissions and embellishments – especially with regard to her relationship with the great artistic rival of her past, Sarah Mondavan. 

Fabienne herself has no time for explanations and small talk; she’s preparing for her next film, a science-fiction drama, cast alongside a rising new talent (Manon Clavel) touted as ‘the next Sarah Mondavan’. When Fabienne’s long-suffering assistant unexpectedly quits, she and Lumir are reluctantly forced into an awkward working relationship, with Lumir revisiting the same film studios where she spent countless hours as a child. As the on and off-set worlds begin to amusingly – and movingly – intertwine, suppressed emotions can no longer be kept in check…

With a keen knowledge and love of French cinema, Kore-eda lends this hugely enjoyable film the observant, tender eye audiences have come to cherish. Warmly compared to Olivier Assayas’ exquisite Summer Hours by multiple critics upon its Venice premiere, THE TRUTH is a very special cinema experience: a gentle, sly and moving exploration of reality and fiction, family, performance, and the great spectacle of life. It’s a love letter to mothers and daughters everywhere.

The Truth poster
NOW AVAILABLE TO OWN OR VIEW ON DEMAND