Birds of Passage

Guajira, Northern Colombia, 1970s. Wayuu tribe-member Zaida (Natalia Reyes) has come of age, leaving formidable matriarch Ursula (Carmiña Martínez) with the important task of finding a suitable match. Her instincts warn her against young Rapayet (José Acosta), an ambitious man with strong links outside of the clan, but the word of his respected uncle Peregrino (José Vicente Cotes) carries weight, so she accedes, setting an outrageous dowry. The seed sown, Rapayet stumbles onto a plan with his flamboyant friend Moises and cousin Aníbal to sell marijuana to a visiting American. It’s the beginnings of a profitable new enterprise.
 
As the family rises to prominence, Ursula becomes increasingly complicit in her son-in-law’s business dealings, insisting traditional honour codes are respected and observed. But the trappings of wealth and power soon incite a war that threatens to tear them and their ancient traditions apart.

A unique sensory adventure, BIRDS OF PASSAGE, with its fascinating depiction of duelling tribal codes, rituals and beliefs, couldn’t be further removed from the time-honoured, rags-to-riches crime sagas of Western cinema. Almost mythical in its storytelling, this extraordinary film bursts with eye-popping traditional costumes and culture, an immersive atmosphere of surreal imagery, vivid sound design and glorious widescreen cinematography.